We went to the Bugis area in the morning to do more shopping and to buy some souvenirs. We also went to the Mustafa Centre located near Little India. This is a good place to buy large packs of chocolates that are not usually found back home, in the Philippines.
Late afternoon we went to the Marina Bay area. A local “uncle” was peddling Wall’sice cream at the Esplanade Park. Given the hot weather, we didn’t think twice buying. Average maximum temperatures in Singapore (usually within the first two quarters of the year) range from 30-31 degrees Celsius*. This day was no exception. We thought it a good idea to cool down with some ice cream sandwich.
*This trip was about seven-or-so months ago as of this writing. Hence, the reference to the usually hotter weather months.
We made our way over to the other side of the Anderson Bridge, passing by the refurbished Victoria Theatre & Concert Hall (on the right side) on the way up and with the view of the Esplanade to the left from the bridge itself.
At the end of the bridge is Singapore‘s first StarbucksGive-back store and its 100th.
At the Fullerton Road facing the direction of the Central Business District, stood before me one of Singapore‘s most famous and iconic landmarks, The Fullerton (in the foreground). A one time post office building, hospital, administrative office, etc., it was refurbished to be a hotel and opened officially as such in 2001. I remember there were proposals before to do the same for the Manila Post Office. It’s not a far-fetched idea if you ask me.
We were really just stone’s throw away from the Marina Bay from where we were standing. ‘Just a few moments now’, I thought to myself, ‘and I will see the Merlion’.
Alas! The iconic mythical creature was nowhere to be found. Apparently, at the time, it was being renovated. I took a selfie but it doesn’t feel complete without it. Now I have an excuse to go back 😂.
If it’s any consolation though, just behind where the Merlion once stood gloriously, is its small replica. This will do for now.
We made our way to the direction of the Esplanadewhich was easily distinguished by its durian shape. Durian is that famous Southeast Asian fruit with a hard, spiky shell and with a strong odor and taste that could easily put anyone on the fence whether to like it or not. People can have opinions about it just as strongly as the fruit’s characteristics are, it seems.
Philippines represent! The Philippine Madrigal Singers were scheduled to have a concert here.
What do you make of this art installation below? It’s called Insignificant Meaningful.
Thai artist Torlarp Larpjaroensook utilized everyday, ordinary objects symbolic of the different Asian cultures, reminding us of the syncretic nature of our societies – lunch boxes, thermos flasks, vases, plates and bowls made from materials like ceramic, enamel and wood. These found objects from daily life are charged with meaning as they tell the past, present and future stories of those who owned and used them. Viewed as a single ensemble, it becomes a timeless metaphor for human migration.
I found this LED magnetic frame in one of the stores inside the Esplanade. It glows in the dark! Which reminds me, we just watched the Avengersmovie the night before at the Tampinesmall. I would have bought this if I were a true, blue Avengers/Marvel junkie.
We went to Bugis afterwards to meet up with a friend, do more shopping and have dinner.
It’s always a nice thing catching up with old friends, having good conversations and sharing laughter with each other, especially over good food.
As if we haven’t been indulging ourselves enough, we even had to go to the InterContinental to have some coffee and tea (hmmm 🤔 … somebody’s taking the ‘Crazy, Rich Asians’ water, huh? 💦 Maybe a tad too much? 😅)
Some night cap it was. A day well spent meeting the icons of the city and catching up with old friends. Happy times, indeed! 😁💯🇸🇬
Truth be told, I don’t know anything much about Cambodia before this trip. So are most of the people I talked to. Stories circulating online show others being so clueless they don’t know they are dressing inappropriately – some go shirtless, or worse, naked!
Ok, maybe it’s because of the heat, but still, it underscores the fact how little they know about the place and what these ancient structures mean to the local people. They think Siem Reap is just another exotic Southeast Asian beach town. Don’t get me wrong, Cambodia has beaches, but Siem Reap (where the concentration of the ancient temples are) is 280 miles from the nearest seashore.
I surmise most Filipinos are introduced to Cambodian history some time during middle school. This is where we’ve probably heard of Angkor Wat the first time. However, as is true with most of the things we learn in school, we only remember them by rote (only because we need to pass the subject) but not really getting the import of what was taught (more often than not, I suppose). Not only until later in life and until it fits into one’s scheme of things, does one able to make sense of these things.
Cambodia, for a long time, isn’t really the kind of destination Filipinos are very familiar with. Except recently, it isn’t in the Filipino tourist’s radar. Not even in the OFW’s radar. I mean, I don’t hear OFW’s saying: “Oh, I work in Cambodia“ very often. In fact, nada.
I think the one time it made an impression on me as an exciting destination was when it came out in the first Tomb Raider movie. A very smart move to break into popular culture, I would say. It has effectively put Cambodia back on the map.
The image of giant trees growing on top of ancient temple walls, with huge roots exposed, left a strong impression. There’s an otherworldly feel to it. It’s become iconic now.
This is a departure from the bad image the country has suffered for years under the Pol Pot regime – one of gruesome violence and genocide. Almost every Cambodian alive today has some loved one or relative, who fell victim to the atrocities. Truly a dark chapter in this country’s history.
Some people may not be too keen on studying history, hence, must have felt on the fence regarding this trip. I get that. But just like anything else in life that is good for us, like a healthy diet and exercise, it’s something we should develop a liking for, for our own good. It takes discipline.
Also, because our modern global civilization is faced with a similar crisis the ancients did, the repercussions of which we haven’t fully realized. We need all the help we can get to overcome it. Any precedence in history that could be of any value would be a good start to even get a bit of a clue on what’s the best way to deal with this problem.
And so, although I don’t know much about Cambodia, I approached it with an open mind. I was an empty cup willing to learn, and boy, did I realize a lot of things. Just the magnificence of it all – the splendor, the scale, the engineering marvel, especially at a time when (complex) machinery was unheard of – took my breath away. Mind you, this vast area dotted with numerous temple sites was once a vibrant metropolis (or whatever the equivalent of it is in ancient times). This, in fact, was once the world’s largest city before the Industrial Age – a world heritage that merits our admiration and appreciation. A gift to humanity.
There are three temple sites we visited that are in relatively close proximity to each other (satellite view below).
First is Ta Prohm, where part of the Tomb Raider movie was filmed. I’m sure you’ve become familiar with this image by now, thanks to the movie.
“Founded by the Khmer King Jayavarman VII as a Mahayana Buddhist monastery and university, it was built in the Bayon style largely in the late 12th and early 13th centuries and originally called Rajavihara. Unlike most Angkorian temples, Ta Prohm is in much the same condition in which it was found – the photogenic and atmospheric combination of trees growing out of the ruins and the jungle surroundings have made it one of Angkor’s most popular temples with visitors” –Wikipedia
All this traveling back in time, at the same time being surrounded by magnificent ancient architecture, makes one feel like going on an adventure – Indiana Jones level 🙂 And to kick it off, we were given a group activity – a treasure hunt of sorts. We are to find a bas relief of an apsara head partially hidden behind some huge temple block ruins, overgrown with tree roots. We were just given a picture of how it looks like facing the image and then had to find the actual location for ourselves. Given the huge area we need to scour and the seemingly similar features of a lot of the places in the temple grounds, it seemed like an insurmountable task to accomplish. However, persistence and team work paid off and has won the day. Surely no task is so great with a clear vision and game plan, and a strong team spirit 🙂
Apsaras seem to be the first ones to greet us upon entering our first temple – Ta Prohm. They serve as good introduction to Cambodian culture and history. In fact, they play a prominent part in the whole Angkorian culture and architectural theme of the day. Below are the apsaras stationed at the wall near the entrance.
“Apsara (in Hindu mythology) is a celestial nymph, typically the consort of a gandharva or heavenly musician. In the Cambodian culture, Khmer female figures that are dancing or are poised to dance are considered apsaras; female figures, depicted individually or in groups, who are standing still and facing forward in the manner of temple guardians or custodians are called devatas.” –Wikipedia
Here are some of the other areas inside the temple grounds. As expected, it’s teeming with tourists 🙂
Next stop is the Bayon Temple, also known as Angkor Thom.
“Built in the late 12th or early 13th century as the state temple of the Mahayana Buddhist King Jayavarman VII, the Bayon stands at the centre of Jayavarman’s capital, Angkor Thom. Following Jayavarman’s death, it was modified and augmented by later Hindu and Theravada Buddhist kings in accordance with their own religious preferences” – Wikipedia
It goes on to say that the JSA, the main conservatory body in charge of the conservation and preservation of the site, describes the temple as “the most striking expression of the baroque style” of Khmer architecture, as contrasted with the classical style of Angkor Wat.
This is where I got lost for a time, having been separated from the group. Was having a hard time finding my pass and so the group went ahead without me. By the time I was allowed to get in, the group is nowhere to be found. So I just made my way to the top and explored Bayon by myself.
Been exploring corridors and galleries on the lower levels and got few surprises here and there. Turned a corner and found “treasures” like this.
Made my way the to the top and found gigantic statues (towers) of Avalokiteshvara faces, a bodhisattva. This is actually a Bayon temple signature. Hence, its other title – ‘the face temple‘.
Bodhisattvas are enlightened beings who are destined to become buddhas but postpone that final state in order to help humanity.
Another striking feature of Bayon is its adornment of 1.2 kms of extraordinary bas-reliefs incorporating more than 11,000 figures.
I wouldn’t be delving much into the details and stories behind these bas-reliefs but I highly suggest you search and read up on their background. It’s full of history and lots of interesting stories to tell. It’s like taking a peek into the soul of a proud kingdom – its glorious past, its people, its kings, its tales and legends; its everyday life; the mundane and the otherworldly; its idiosyncrasies and all.
Lonely Planet was on point when it said : “There is still much mystery associated with Bayon – such as its exact function and symbolism – and this seems only appropriate for a monument whose signature is an enigmatic smiling face”.
By this time, I was already able to catch up with the group.
Our final temple to visit is no other than the grandest and most majestic of them all – Angkor Wat. But before that, we first went to a restaurant outside the temple grounds as we all have been wanting to eat and take a break from all the walking and climbing, under a terribly hot weather.
Here are some of the food we devoured. I didn’t get the names of everything but some of them include: chicken with Khmer spice, deep-fried fish, fried egg, sauteed fried pork with eggplant, stir-fried veggies. I may not have gotten all the names correctly but you get the idea, right? No need to be all fussy about it 🙂
And so we entered the Angkor Wat temple grounds. ‘Massive’ is an understatement. We had to cross a body of water which seemed like some natural waterway, a river or something, but in reality is a gigantic man-made moat that surrounds the complex.
We noticed monkeys roaming around freely. There are those who seem to be welcoming us on the other end of the pontoon bridge, seated on stairwells and on railings.
Angkor Wat is “one of the largest religious monuments in the world, on a site measuring 162.6 hectares. It was built by the Khmer King Suryavarman II in the early 12th century in Yaśodharapura (present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum” – Wikipedia
Though damage is minimal, Angkor Wat has not been spared the effects of modern warfare. In fact, before entering, our guide showed us bullet holes left by a shoot-out between the Khmer Rouge and Vietnamese forces in the late ’70’s. This photo, in particular, shows bullet still left inside one of the walls of this ancient structure.
Even more destructive than the war itself though, were the rampant looting of the archaeological finds, by art thieves working out of Thailand. One could not help but notice the numerous headless statues and figures, as a consequence of this looting.
“Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious centre since its foundation” – Wikipedia
Once again, monkeys roam careless and free 😀
Angkor Wat is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia and is the country’s prime attraction for visitors.
Before entering the temple itself, we gathered in front of, what looked like a depression on the earth with a small lake-like structure at the bottom, to have our group and individual photos taken. This is a popular spot where people can take picture-perfect photos because of the reflection created by the water, for added drama.
Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleriedtemple. It is designed to represent Mount Meru, home of the devas in Hindu mythology.
The magnificence, the splendor, the scale of this ancient wonder. I was in awe.
The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls.
“The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. Each gallery has a gopura at each of the points, and the two inner galleries each have towers at their corners, forming a quincunx with the central tower. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (the “Hall of a Thousand Gods”). The four small courtyards marked out by the cloister may originally have been filled with water. North and south of the cloister are libraries” – Wikipedia
“One of these temples, a rival to that of Solomon, and erected by some ancient Michelangelo, might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome…”
Henri Mouhot, 19th-century French naturalist and explorer
Yes, we romanticize how magnificent the structures are and how ingenious the engineering that was used to build them, but I don’t think people really understand the enormity and scale of this project even if I say it repeatedly and candidly. So, let’s put it in perspective, shall we?
The Khmer Empire ruled over a vast area of Southeast Asia, even larger than what modern Cambodia is today.
Its capital city is Angkor. At the time, before the advent of the Industrial Revolution, it was the world’s largest urban center. And in order to support such huge population, the Khmer built water management systems like huge reservoirs, canals, channels and dikes. They made good use of the resources that are available in season such as the monsoon. Water can be abundant in one season and scarce the next. This ingenious solution of efficiently utilizing a precious resource secured them a regular harvest.
For a long time, it has been a mystery how the society collapsed after about 200-300 years after its peak. There have been lots of theories, of course. Recently, however, a new one surfaced (and this is a real kicker). It states that environmental factors, otherwise known as ‘climate change‘ could have played a huge role in its demise. The ‘freaky’ weather patterns, like floods and droughts, overwhelmed those water management systems. And when I say freaky, I mean those that are not within the parameters of what is considered regular or normal. Basically, weather phenomenon that are off the charts.
We often hear about once in a 100-year type of flooding or drought, or heavy rainfall, right? They do happen as part of the natural cycles of the earth. What’s scary about our time though, is that our brand of climate change is self-inflicted. We create the causes for our own demise. And there’s no precedence of it anywhere in history. The CO2 levels and other pollutants we put in the air are staggering. Nowhere in recorded history has there been this much level of CO2 in the atmosphere. Scientists fear reaching a tipping point where we face the risk of a runaway weather, in which we wouldn’t have any control over nor could we predict with a much better certainty how the weather is going to behave.
Now who says history is not relevant to us today? We may have come a long way as a species but we surely have not learned from the errors of the past, or at least not have been as vigilant as we should have. The ancient ruins of Angkor are a poignant reminder of how even with the best technology and advancements, humans are no match to nature. We could very well suffer the same fate as the ancient Khmer people if we don’t change our ways.
So often we fail to value the natural world because of our greed. We treat it like a commodity, an unlimited resource. We need to realize that it is to our best interest to work with it and not against it.
Here’s to hoping things would work for the better. And soon.
It’s a sunny day. Judging by what the previous groups who have been here before have told us, we only expect the weather to get even hotter as the day drags on. That’s actually a better prospect than when it rains, right? So I guess no one’s really complaining.
Immediately I notice how red the soil is (something I’ve noticed to be characteristic of the landscape here).
We were asked to assemble for a briefing to discuss the do’s and don’ts, the basics in biking, which gear is for what, and stuff. It was impressed upon us that this is not an individual race. Hence, we need to help each other out in order for the whole team to finish fast. Any member of the team struggling should be helped out. Now that’s something worthy of emulation in real life, don’t you think?
We are to finish a 12-km stretch of rough/dirt roads, with pit stops along the way for when we need to recharge – drink to quench our thirst, eat, relax, take selfies/groupfies, or just be silly with one another.
Despite the heat and exhaustion, one can admire the scenic view of the Cambodian countryside, complemented by a soft breeze generated by one’s own motion against the tepid air. I can only appreciate the simplicity of life here. Time suddenly stood still.
At the finish line, we were treated to the sight of an elaborately decorated Buddhist structure known as pagoda. Pictured below is the Phreah (Preah) Dak pagoda. It’s also a functioning monastery for monks so it’s alternatively called the Wat Phreah Dak.
I notice a lot of these interesting, colorful structures with spires in the temple grounds. Wonder what these are?
As explained by our tour guide Sip, these are known as stupas. They basically are tombstones that houses cremated ashes of deceased Buddhists. The more elaborate and bigger in size the stupas are, the richer the person (or the family of the person) who died who affords it. The deep colors represent peace.
Cambodia is 97% Buddhist, who believes in reincarnation. Death is merely a phase, a doorway to another existence – a rebirth. The remaining percent are Hindus, Muslims and animists, and a sprinkling of some Christian denominations. It’s interesting that in some of the villages we passed by in our route, we notice houses built in the second storey but nothing on the ground. The reason being that people believe spirits occupy the ground level. Humans would do well not to disturb them, I guess. This belief in spirits both benevolent and malevolent are strongly-entrenched in some areas that it’s common to see small, deeply-colored spirit houses (for spirits of dead ancestors) and local version of scarecrows (to repel evil ones) posted in front of homes. (I’m literally having goosebumps writing this, so enough already 😐 )
Let’s move on.
Now all this activity is making us hungry. So, we next headed off for lunch. But wait. As the tradition goes nowadays, it seems, we first had to learn how to cook our own food. Chef Khan Van Chhay demonstrated how to create spring rolls! I’m not sure if Cambodians traditionally would have their spring rolls deep-fried, but we definitely thought of it as a welcome gesture that he had it cooked that way, as an homage to our Filipino culture.
We even had a contest of who finishes cooking first with the most number of rolls passing quality check, to be pitted against the other groups. It was a fun activity and, suffice it to say, we’ve made some pretty bomb spring rolls (holler! 😀 )
Afterwards, we were treated to a parade of Cambodian dishes, plus the spring rolls we just made.
I appreciate the fact that they are big on veggies and salads, although the taste doesn’t always sit well with a lot of my peers. It’s an acquired taste, I suppose. I am definitely sensing some cilantro, star anise, in most dishes. There are some I probably haven’t heard of and have been trying for the first time, or just something we are not used to eating. I’ve been tasting everything because I’m adventurous like that when it comes to food.
We headed off next to a small house that has some shack where traditional rice noodles are made. It seems like creating rice noodles is as tedious as planting rice itself – from the pounding to the mixing, to the cooking, to the washing. Maybe I will just skip to the eating part, yeah? 🙂
They’ve been using some curious contraptions where the noodle-makers literally had to ride on top in order to function, like when pounding the mixture, wherein someone literally has to step on the lever on the other end (much like how a see-saw would work), doing it repeatedly in a particular rhythm, so that the person on the other end could fold the mixture in sync with the steps. Otherwise, that person could get injured. It takes skill and a great deal of caution especially if you are on the receiving end of the pounding machine. Kung sa atin pa, “buwis-buhay”, “putol a-kamay” 🙂
Or, when pressing the goo out of the perforated container/thingamajig to be dropped on to the huge cauldron below with simmering water, where it has to be done gently but with much weight, such that the person doing it literally had to sit or ride over the lever using his full body weight but careful enough not to crush the precious cargo. The idea is to press slowly and gently in order to create long, continuous strands. It’s literally what you call, a “tough, balancing act” 😀
If anything however, it makes for good exercise since you partly might also need to lift your own body weight in order to strike that “balance”. There’s a bar or beam above which you can hold on to, to lift yourself up in case you need to relieve the pressure on the “soon-to-be” noodles.
Remember Chef Khan Van Chhay? Well, he’s here again to demonstrate how to cook a traditional Cambodian rice noodle dish called somlor brorheur (pronounced somlor brahar). And to assist him is Mrs Team Hup. I couldn’t find any reference to her online but I’m guessing she is the owner of the house and maybe one of the few people who is keeping the tradition of rice noodle-making alive.
Next stop is a traditional Cambodian farming village. But in order to get there, we have quite an unusual ride waiting for us at the jump-off.
Water buffaloes! 🙂
When we arrived at the village, we were welcomed by the local kids with a song and were given some neatly rolled cold towels so we could freshen up by wiping it on our face and hands. With the extreme tropical heat, nothing feels better than a nice cold towel! 😀
As you may have guessed, we are in a rice farming village for a reason. There’s a traditional Filipino song that goes: “Magtanim ay di biro. Maghapo’ng nakayuko”. It translates loosely to: “Planting (rice) is not easy. Everyday you are in a stooped position”, which basically signifies backbreaking work. This day wouldn’t go by without us having to experience this as this is pretty much the lifeline of all Asian cultures. Rice is such a ubiquity. One can say that the foundation of Asian civilizations stood on the back of this lowly member of the grass family, feeding millions, serving as catalyst for growth.
And so, plant rice we shall, barefooted and all 🙂 To the rice paddies we go!
After that one-of-a-kind experience (it’s not everyday you see a city-dweller planting rice, yes?), we were asked to go back to the village since it’s already starting to rain. We washed our feet in the communal wash area where water is still pumped from the ground, just like in the old days. We were then treated to some refreshments (my favorite is the “buko” or coconut juice) and some traditional Cambodian song and dance.
It really was an exhausting day – fun, but exhausting. I think most of us dozed off at the bus on the way back to the hotel. And just when you thought you could finally go to your room and indulge yourself in some nice, warm shower, drop to your bed and sleep to your heart’s content, lo and behold, Sip just had to burst your bubble by announcing another activity. And just like that, your anticipated R&R was thrown out the window 😀
We had dinner at the Phare Cafe, where one of the items on the menu is the famous fish amok. As usual, there’s always the salad, and for dessert we had some (I think) caramelized banana with rum and grated coconut. There’s a Filipino dessert which is interestingly similar. We call it minatamis na saging.
We capped the night off with a spectacular performance from the Phare Cambodian Circus. No, not that kind of circus. No animal was harmed or even involved in any of its production. It’s all display of acrobatic skills – part-theater/part-acrobat. And it’s for a good cause, too. It’s helping Cambodian youths stay out of the streets, giving them better opportunity by making better use of their skills and talents. Should you ever go to Siem Reap, do watch their show. It’s amazing! 🙂
I’m leaving you with some of the photos of that night. Stay tuned for part 2 of this series on Siem Reap. Enjoy! 😀
I’m capping off this series on the Bangsamoro by presenting this side of their cultural/artistic heritage that’s not very well known, I should say. Except for the sarimanok (pictured above), which has become an icon, thanks to its constant appearance on TV during the 90’s (it being the inspiration for this major TV network’s logo, in fact), most of the photos you’d be seeing here are pretty rare. I myself was pleasantly surprised to have found out about these.
We live in a world full of stereotypes and this couldn’t be more true in the case of the Bangsamoro people. The situation was only further exacerbated by the events of 9/11. After almost two decades, we are still reeling from the fallout of that event. Look only at what Marawi has become just recently – total devastation.
This series hopes to shatter some of the misconceptions and help us get a better understanding of our brothers and sisters in the South.
You can check previous articles of this series below:
I saved these photos for last because I think these are the, sort of, “crown jewel” to their cultural and artistic heritage. If there’s anything worthy of shattering stereotypes, these would be it. I mean, who would have thought, for example, that the Bangsamoro peoples had something similar to a Pegasus they call burraq or borak – a hybrid animal of Islamic mythology that has a winged human head on a horse’s body.
According to the museum’s informational guide, the burraq/borak is “one of the common artistic elements that conveys a sense of flight. It is considered sacred in the Islamic world, as it was through flying the burraq that Prophet Muhammad journeyed and ascended to heaven, as told in the Isra’wal Mi’raj“.
It is interesting to note however, that while the concept of rising is part of the Islamic faith, focusing on spiritual lightness and the upward orientation towards unity with the Divine heavenly being, it is also a notion corresponding to the pre-Islamic indigenous concept of floating and flying as a means of connecting humans to the spiritual realm. Based on a study conducted by Abraham Sakili, this concept is widely-known throughout the Philippines and Southeast Asia.
Islam in the Philippines has been described as remarkably syncretic – a fusion of different influences both foreign and local. As mentioned in the previous article, some indigenous practices persisted. You would see many elements of the same in the different parts of the region. You’d be surprised how the iconic sarimanok has counterparts in other Southeast Asian countries and how the concept of birds as spiritual messengers are a common belief in these places too – the iban of Borneo and the garuda of Indonesia, for example. Learning about this fact makes me realize how, despite the seeming “differences”, there are a lot we share in common. Also, it’s interesting how something we don’t usually put much focus on suddenly had this new meaning upon second look. I mean, I’ve heard about the garuda from Garuda Indonesia, which is the flag carrier of Indonesia, but I have never really given much thought as to its symbolism and its connection to everything else. It’s just amazing like that, isn’t it?
This chicken-like figure with a fish on its beak, the sarimanok, is a significant artistic element that conveys flying. According to the museum’s informational guide: “The Maranao considers the sarimanok to have evolved from its totem bird called itotoro. It is invoked in many rituals and included in their myths and epics.They are depicted as messengers of legendary heroes and royalty in the Maranao epic Darangen. The sarimanok is also considered as a medium to the spirit realm through its unseen twin spirit bird called inikadowa. Like the naga, the sarimanok appears in highly stylized forms in artistic works to adhere to Islamic beliefs. Other stylized bird-like figures are also used as designs,such as the manukmanuk of Sulu“.
Another element of floating or flying is the naga. It is “a Sanskrit term referring to a mythical dragon or serpent noted for its wisdom, agility, power and bravery”. The informational guide adds: “While the representation of nature – plants and animals – in art is counter to Islamic beliefs, the naga persisted in highly stylized forms that include the S-shaped and rope-like designs”. This design could be found in the panolong.
“Flags also convey the idea of flying. The Maranao display ceremonial flags during special events such as weddings, coronations, and fluvial parades, among others. The display of flags was traditionally associated only with the ruling class, now these are used during various communal celebrations and events”, per the museum’s informational guide. Below is an example of a flag called Panji or Pandi.
Are you ready to get your mind blown?
Presenting, the kokora 🙂
At first glance, this would’ve looked like some gigantic bug or winged lizard from the Jurassic period. One would have thought ‘what could our forebears have use for this?’
Well, the answer is actually more mundane and utilitarian than one could have possibly thought.
So, here’s the kicker. Notice the elongated tongue that kind of looked like an antenna above his head?
Yes. It’s used to grate coconut. It couldn’t be more tropical and Filipino than that! 😀
The Bangsamoro culture is also replete with legends, the most famous of which is the Maranao Legend of Indarapatra.
Spectacular performances, displays of resplendent art, and lavish feasts thrive as they give visual expressions to the Islamic notion of the sacred power of sultans.
Feasts are an integral part of the Bangsamoro culture. According to the museum’s informational guide: “Immersing in activities that sharpen senses and experiences, such as tasting special dishes and joining in performances with heightened theatrical and dramatic elements, lead to captivating the festival participants’ attention. It is through these that feasts provide spaces for encounters markedly distinct from their ordinary and daily lives. Singing, dancing, music and recitation of oral literature are among the most common types of performances, providing entertainment and infusing amplified auditory and visual engagements to participants”.
Nothing could be more striking in this musical ensemble than the kulintang – “an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums” (wikipedia)
They even have a bad-a** kulintang on display at the museum. The design is so intricate and lavish it could pass for a throne fit for royalty.
I cannot stress enough how important a role museums play in educating people. Especially in this time and age where information can easily be accessed with the touch of a button (or a swipe of a finger), people easily get caught up with the use of technology. We use it for practically anything nowadays, even for social connections. However, despite technology’s myriads of practical uses, this should not take away the joy of learning things the traditional way.
It was a pleasant revelation to me, for example, to learn about the Bangsamoro culture and heritage – something I think I wouldn’t have realized or appreciated as much, had I not experienced from this perspective.
It’s funny because I’m sure this subject has been discussed in school in one form or another; in history books, wholly or partially – some maybe in passing, others probably having volumes dedicated to it. But having seen the actual pieces and the materials up close, and learning the story behind each and every piece, gave the learning experience a whole new dimension. I definitely walked away bringing with me a newfound appreciation for these things. And that’s something no amount of technology can ever really replace.
Central to the Bangsamoro culture is Islam. It is the glue that binds them together. No matter the differences and difficulties, Muslims around the world follow a set of principles and practices that constitute the religion, creating a sense of belonging and unity called ummah. More than anything however, a Muslim aims to achieve unity with Allah, encapsulated in the concept of tawhid which emphasizes the following of Allah’s will.
The five essential duties of Muslims, also known as the five pillars of Islam, as revealed in the sacred book of Koran, or Qu’ran, are:
shahadah – the profession of faith
salat – praying five times daily facing Qibla/Qiblah (sacred mosque in Mecca) at designated periods
saum or puasa – fasting between sunrise and sunset in the month of Ramadan
haji – the pilgrimage to the holy city of Mecca at least once if possible
zakat – voluntary contribution of a portion of one’s income as alms for the poor
The Koran is considered sacred as it contains the teachings of Allah, and so is carefully handled and used. Pictured above is a copy of probably the country’s oldest, if not one of the oldest, translations of the sacred book known as The Qu’ran of Bayang (Lanao del Sur). Of significant historical and cultural value to Filipinos in general, and to the Filipino Muslims in particular, the Koran of Bayang will be declared by the National Museum as a “National Cultural Treasure”. It enjoyed a long and varied history – from being an heirloom, to being a loot of war (during the war with the Americans), to having to evade a typhoon by deferring its supposed return to Marawi.
During the height of the People Power Revolution of 1986 however, the Koran was reported missing, as it was previously requested by the then First Lady Imelda Marcos to be transferred to Malacañan from the National Museum. Fortunately, a complete copy was made prior to its transfer to the Palace, so its message is not lost to us today. It will remain for posterity.
There are two types of mosques in Southern Philippines. One is the ranggar or langgal, a small structure accommodating only few individuals for daily prayers in the rural areas. The prayer mats you see displayed above are from the Molbog tribe, Balabac, Southern Palawan. These are made of pandan leaves and synthetic dyes.
The other type of mosque is the masjid, a permanent structure facing Mecca, which adopted a more Western/Arabic-style architecture as evidenced by the use of minarets, mihrab, mimbar and places of ablution. Examples of the different types of mosques in the Philippines below, courtesy of Wikipedia.
Tulay Mosque, Jolo, Sulu
Taluksangay Mosque, Zamboanga City
Dimaukom Mosque, Datu Saudi Ampatuan, Maguindanao
Prior to the late 19th century however, mosques that were built in the country employs an indigenous form of architecture known as pagoda-style or hut-style, such as this Old Bangsa style mosque in Taraka, Lanao Del Sur (below). There have been proposals to put the Heritage Mosques of the Philippines into the Philippine tentative list for UNESCO World Heritage Site declaration in the future.
Fasting is a widely known observance in Islam during the holy month of Ramadan, where the faithful abstain from the consumption of food and drink daily from the break of dawn until sunset. This is also a time for avoiding practices that are deemed ‘unspiritual’, if you will, or are in conflict with Islamic teachings – those that divert a person’s focus away from spiritual things, such as inappropriate speech, excessive recreational activities, or acting unkind towards the needy, for example. It is a time to perform zakat, or the giving of alms to the poor and more importantly, worship through prayers and recitation of verses from the Qu’ran.
A lavish three-day feast is held at the end of Ramadan called Hari-raya, or Eid al-Fitr in Arabic. It starts with the sighting of the new moon on Shawwal – the first day of the tenth month of the Islamic calendar. People will pray in mosques and in open spaces, and would offer charity to the poor.
The most significant feast for Muslims however, is the Feast of Sacrifice or Hari-raya Hadji, orEid al-Ahda in Arabic. This celebrates the completion of the pilgrimage to Mecca during the last month of the Islamic lunar calendar.
Aside from these, there are other important Islamic occasions where Muslims celebrate by feasting and, according to the museum’s informational guide, all of these “involve communal prayers, recitation of passages from the Koran, communal consumption of special meals involving local delicacies and beverages, adornment of feasting spaces, and use of highly decorated prestige items and utilitarian goods during food preparation and consumption”.
Indigenous traditions become evident in these lavish feasts where local delicacies get to take center stage. In the olden days, these are usually prepared and served in highly decorated containers and utensils.
Below are examples of Tausug dishes often served during these occasions.
Clockwise from upper left: Tausug beef kurma, tiyula sug, beef kurma, a typical Eid spread, a collection of sweets called bang bang sug, and chicken piyanggang
Muslims in the Southern Philippines also celebrate life cycles, such as birth, marriage, rites of passages, etc., with feasting. The communal experience of food and drink consumption establishes and fosters a sense of connection across cultures. Fasting and feasting are interconnected practices that help connect a person to his spirituality – abstinence to food as an act of faith to a God who provides, and feasting as an expression of gratitude and acknowledgement of God’s generosity.
Banquets are thus part of Islamic rituals. These occasions provide opportunity to establish and renew social bonds.
And in the early days of Islam in the Philippines, especially, according to the museum’s informational guide: “Feasts provide arenas for displaying wealth, power and prestige through the abundant offering of food and drinks for communal consumption, and the use of prestige or exotic objects and technologies. As a result, celebrations are closely tied to aspects of political economy which is guided by the ideology of the elite. This is often materialized in public ritual events where highly symbolic objects and ritualized practices are used to express and legitimize their political, economic and social prestige”.
It goes on to say: “… lavish feasts (together with spectacular performances and displays of resplendent art) thrive as they give visual expressions to the Islamic notion of the sacred power of sultans“.
Having lived in Manila my whole life, I never really experienced what life is like anywhere else in the country except those I had the chance visiting for a few days. But even that wouldn’t really suffice for one to really get to know or understand the local culture. I think one really has to immerse himself in it. That might require some time spending with the locals and experiencing things they usually do on a day-to-day basis. Now, being a busy person with lots of commitments, that prospect may not really work out for me. It’s almost next to impossible. Good thing there are museums, right?
Ok. You are probably thinking: “Here he goes again selling this museum thing to the hilt”. But really, this has proven indispensable for the city creature like me. It’s funny because both my (biological) parents were from the provinces. My surrogate dad was from the province, too. But I never really had the chance being on those places for a long time. The everyday man on the street may not realize it, but it’s staggering how culturally diverse our country is – more than 175 ethnolinguistic nations or groups. An average working person may not be able to meet, let alone visit each ethnic group in his lifetime, unless he spends most of his time traveling around the country, like some blogger I’ve read about. It is doable, yes, but may not always be practical. So, to each his own. And yes, this brings me back to the topic of museums and how it fills the void to satisfy that curiosity. You may not be able to meet or visit each of those ethnic groups, but you can learn about some of them through museums and visual arts. It doesn’t replace the actual experience, of course, but it’s the next best thing.
So, on with the topic. Now, what could be more interesting than the Bangsamoro, right? Bangsamoro, of course, is that hotly-contested autonomous region in the South populated by Muslims. There are other non-Muslim ethnic groups who are indigenous to Mindanao called the Lumads, but that’s for another article.
Bangsamoro is the “largest non-Catholic group in the Philippines and, as of the year 2012, comprises 11% of the total population” – Wikipedia. Its defining and official religion, Islam, is the second largest and the fastest-growing in the world.
The spotlight is turned every time we hear news of war in this troubled region and when there are developments in the efforts made to achieve that seemingly elusive peace, as when peace talks and deals are made.
If you come to think of it, if we weren’t colonized by the Spaniards, we probably are Muslims today. Now, all the reason to be interested in the Bangsamoro’s history and culture.
Bangsamoro from the Filipino term bangsa, meaning nation and Moro, from the Moors (of Southern Spain) – a designation used by the Spanish to all Muslims.
What’s interesting to note is that Bangsamoro (as one nation of Muslims) is actually composed of different ethnic groups who happened to share a similar faith, and maybe certain aspects of their cultures, history and traditions. But there are certain things that are unique to each group. The brand of Islam itself as how it is practiced here, or manifestations thereof, may differ widely from say, those in the Middle East or even other Southeast Asian neighbors. The basic tenets of the faith are adhered to but there are certain embellishments that are quite unique to this specific group. Think of it as Islam in Bangsamoro garb. Some indigenous practices and beliefs persisted and made its way to the new religion.
Feast for the eyes
What really struck me immediately upon entering the exhibit is the ornate artistry of the works. Apparently, the peoples of this region have developed a highly-stylized form of geometric patterns that are combined together to form these visually stunning imagery. This is in no less thanks to a Qu’ranic prohibition of creating artistic depictions of human, animal and plant forms in any medium.
This particular style is called okir which, aside from referring to carving or engraving, is also referring to a particular curvilinear design pattern predominantly and distinctly used by the Muslim groups in Southern Philippines. This type of design could be seen in their architecture and in the day-to-day implements and fashion.
Enjoying the visual treat, yet? This is just a prelude to more exciting things to come, so watch out for it 😉 Till next time! 🙂
There are actually three other exhibits on display at the time – two of which I was able to see, the other (In My Father’sRoom) I had to forego due to time constraints.
On the 3rd level of the museum you will find one of the, I think, permanent displays called Pioneers of Philippine Art namely Juan Luna, Fernando Amorsolo and Fernando Zobel.
On the same floor is “The Tree of Life”, an exhibition of works by 48 contemporary ceramic artists from Southeast Asia. It hasn’t formally opened at the time I was there, but seeing some of the works being installed, I was already mesmerized. This couldn’t have come at a better time too, with the ASEAN integration almost around the corner and with our country as its chair for 2017.
On the 2nd level is The Diorama Experience. I have long wanted to see this. Carved by artisans from Paete, Laguna, it depicts sixty major events and themes in our country’s history. The Dioramas, they say, are unique achievements in woodcarving, as well as in miniature painting and decoration.
It is interesting to note that as part of the museum’s participation in the international Google Art Project, fifteen select dioramas were uploaded to the web and can be viewed at home at high-resolution. Visit the Dioramas at GoogleArt Projecthere.
I have to admit, there are a lot I don’t know or understand about Philippine history, especially the pre-Hispanic, the colonial periods, and the Revolution. History can have certain nuances, others outright lies and falsehoods, depending on who the power players are at the time. It can be twisted and misinterpreted to suit some influential and powerful person or group’s interests. The saying ‘history is written by victors’ couldn’t be farther from the truth. I think that’s what makes the study of it all the more interesting. Finding historical truths are like solving a mystery. Unfortunately, some could probably never be solved.
“Ang taong hindi marunong lumingon sa pinanggalingan ay hindi makararating sa paroroonan”-Dr. Jose Rizal
I would have to say, the Diaroma experience helped me understand things by shedding light on some of those areas in history I’m not too familiar with. It’s like tying loose ends, or filling-in a jigsaw puzzle with its missing pieces. Presenting history on a timeline also helped me see things from a different perspective. One gets to see the bigger picture and how we are all connected to the past. If you come to think of it, who we are right now is a culmination of everything that had happened in the past. It’s amazing to learn how far we’ve come and how far we are in the stream of time. One has to ask, where will humanity be heading next?
It’s true what Dr. Jose Rizal said, “Ang taong hindi marunong lumingon sa pinanggalingan ay hindi makararating sa paroroonan”. Oh yes, the folly of not learning history. Maybe this also explains why we couldn’t seem to get our act together as a nation. This seeming lack of understanding of our past. We keep on repeating the same mistakes (how’s that for cliché?) 🙂
The Diaroma experience culminates with the People Power, chronicling events from the tumultuous years of the 50’s to the Martial rule, leading up to the First EDSA People Power Revolution of 1986.
The same political atmosphere seem to pervade us today. We should forever be vigilant in safeguarding our civil liberties and freedoms. We know how easily they can be taken away from us.
I’m ending my museum experience on a fascinating note with this maritime vessels display. Aren’t they beautiful to look at? According to the museum’s website, this “collection of finely crafted ship models is a tribute to the boats of yore that were used for everything from warfare to transport and dwelling. This selection includes the local skiffs as well as foreign ships that dropped anchor at Philippine shores”.
You can check the museum’s Maritime Vessels article online to know more about the different types of vessels on display here.
As mentioned in the previous post, taking of photos are not allowed in all levels of the museum except second and first. Hence, the absence of pictures, save for some stolen shots of the short film at the Gold of Ancestors gallery.
The collection on the 4th floor are actually divided into three parts: The Art and Order of Nature in Indigenous Philippine Textiles, Gold of Ancestors and A Millennium of Contact.
The Art and Order of Nature in Indigenous Philippine Textiles
What struck me immediately about the indigenous textiles were the intricacies of the patterns. One could only imagine the hard work, the skill, the passion and the love that goes into the process of creating one. The collection consists of 111 textiles representing different indigenous communities in the Philippines – from the Cordilleras to the North, to the Muslim regions of Mindanao to the South, up to the Sulu archipelago. The patterns, interestingly, aren’t just for aesthetics. It reflects the universal order of nature. In one of the infographics I saw featuring a particular type of weave from a certain tribe, it shows the connection a human body has (particularly its symmetries) to the earth and to the cosmos. It’s in effect saying being one with nature and the divine. The weaves therefore, are as much a spiritual expression as they are utilitarian.
It is also amazing to think of the cultural diversity of our country. Every region has its unique cultural identity that were represented differently by these ethnic weaves. And just like the weaves themselves, interestingly, our country forms an intricate pattern that shows we are all interconnected, even as the notion of nationhood is foreign at the time. The semblance is undeniable. The metaphor couldn’t be more apt. Surely, we should be doing more to promote and appreciate this heritage. Also, this is telling us to shun divisiveness.
Gold of Ancestors
This collection boasts of more than a thousand archaeological gold objects unearthed from the country showcasing the sophisticated cultures that existed in the islands prior to the colonization of the West in the 16th century. It is interesting to note that even today, the Philippines has the 2nd largest gold deposit (per area) in the world, second only to South Africa.
The most extensive collection of archaeological gold in the country were those found in the Surigao/Butuan area. I would say the crowning jewel of the Surigao gold is the Kinnari, a winged-female divinity of the Hindu religion which originated from India. Aside from its excellent craftsmanship, this particular Kinnari is unique during its time in that it was made in three-dimensional form – maybe one of the firsts, if not the first, to be done in that manner. Experts say they have never seen anything like it in the region, not even in the Javanese or Indian art forms of the same period. The rendering of it can only be explained as uniquely Filipino.
This shows how, even in the seemingly challenging geography of our region (being archipelagic and all), nothing could stop the exchange of ideas, culture and trade from flourishing. Our country has always been a melting pot of cultures. Given our knack for creativity and ingenuity, we built on these new ideas, gave it our own unique spin and flair, and owned it.
My favorite among the collection however, is the Sacred Thread – a halter-like adornment weighing a heavy 4 kilos. Wearing it would give one some serious “royal” feels… and maybe some “royal” backache too because of its weight 😛
On display in this collection are 500 pieces of ceramics of all shapes and sizes, from China and other parts of Southeast Asia. Proof positive of a lively trade that occurred in the region in ancient times. This forging of social and commercial ties with China and surrounding neighbors, spans a thousand years, pre-dating the building of the Rice Terraces by about 150 years. This is just to emphasize how old our relations with China is. We seem to have always been in its sphere of influence.
Given our current political situation, this is giving a lot of room for retrospect as our country embarks on a renewed, albeit uneasy, alliance with our giant neighbor, what with the territorial spat still in the offing. A lot has changed since those early trading years. We have since become sophisticated societies and civilizations, with the idea of a sovereign state coming to form. Whenever tensions arise, we should refer back to this epoch and remember how a simple exchange in culture and trade could foster friendship and mutual respect. I hope that in these tension-filled days, everyone, especially our leaders – people who call the shots, be always reminded of this era so they could be more level-headed. This country does not need another war.
It’s funny how the museum is just a stone’s throw away from places I would usually frequent in the Makati area (the malls, parks, and restaurants) and yet I never seem to have found the time to visit it. There is in fact heavy foot traffic around it (being surrounded by such establishments and other recreational places I mentioned), plus, it’s a major “thoroughfare”, if you will, of people just passing by going to and from work. But the irony is that not a lot of people seem to have the interest to experience it despite its accessibility. Well, I decided to change that this day.
As is usually the case with museums, it would sometimes have temporary exhibits featured in its galleries and halls. Such is the case of the Doble Mirada, which is a look back at the Madrid and Manila Expositions at the turn of the century. What really piqued my interest though, is that the admission is free. You know what that meant to my inner cheapskate, right? 😉 So, acting anxiously, I would walk to and fro the elevated walkway and would have extended stare at the exhibit behind its glass barriers, my face glued and my neck adjusting like a compass towards its direction, even as I pass by and never really stopping.
I could only hold my uneasiness for so long, however. Soon enough I was able to muster the courage to go inside.
And there it was, the Doble Mirada. A lesser known fact in our history, which was almost a decade apart, shy of 2 years, and is about a year before the Philippine Revolution erupted. Here you will find interesting artefacts from a bygone era – old photographs, books, paintings and other memorabilia.
Both expositions aimed to stimulate trade and commercial activities in the Philippines. Some of the highlights of the exposition were the industries that have flourished and have made a big impact in the economics of the day. Pictured below is one of the industries and exhibitors – Destileria Ayala y Cia, who won a Diploma de Merito & Medalla de Oro. The vintage bottles below are a throwback to that time.
Could you imagine these books are more than a centuries-old already? Props to all who have gone through great lengths to preserve pieces of history.
“Baybayin”, or what is commonly mistaken as “alibata”, an ancient writing system of our forefathers have still interested people then, even as we have already lost it due to disuse. There surely shouldn’t be any lack of interest from the very people who invented it – us, even as we are in the modern age, don’t you think? I’m all for the revival of the “baybayin”. Let’s be proud of our culture 🙂
Excuse the photo, by the way. Couldn’t make it any clearer.
I love how these books illustrate the daily lives of our forefathers back then, or maybe even earlier. The hammock hasn’t lost its appeal even to this day. Nothing beats the comfort and refreshing feeling it brings during a hot summer day. One only needs a shade from a good ole tree and some gentle breeze, and you’re off to lala-land. And in the case of the woman below, two strongly-built men, to wherever.
There is also the participation of famous artists of the time. Some of those featured were those of Juan Luna. He entered two of his pieces at the 1887 Exposition in Madrid, the La Batalla de Lepanto and Rendición de Granada (Surrender of Granada). Both won the first prize. Prior to this, in 1881, his La Muerte de Cleopatra (The Death of Cleopatra)pictured below (lower painting), won him a silver medal. The painting at the top, known as Una Mestiza, alternately called “Charing”, was created in 1887 and has also won an award.
Not sure whose artwork these were, but the subjects/models surely know how to pose fierce, right? They seem to have invented fierce before even Tyra Banks did! Haha!
Since I was already fully absorbed soaking history in, I thought, why don’t I just go all-out with this museum experience? And so I did. I found myself at the museum lobby buying ticket. Unfortunately, I was told by the lady at the counter that taking photos are not allowed on all floors except 2nd (where the diorama is) and first. No distracting flashes and sounds, I was told. ‘Sure. Like I love taking photos’, I told myself (tongue in cheek, of course). No, seriously, I respect that. People should see for themselves what gems are hidden inside and what they are missing if they don’t. Seeing them in photos just wouldn’t cut it. Museums are supposed to be experiential. That’s what they are there for. Besides, it is one’s duty to learn more about one’s heritage and culture. The least we can do is appreciate it by getting off our bu**s, stop procrastinating and go visit 😛
Coming from a busy morning from an art fair, we decided to go to The Picasso afterwards and watch Wes Anderson films being shown that day. I didn’t really notice if anyone from our group asked where the filmshowing is being held from any of the staff at the lobby (since I was a bit preoccupied), but I was just going with the flow. Next thing I knew we were riding the elevator and ended up in a gallery – the Altro Mondo. I think we assumed it will be held at the gallery since we’ve learned of it from their booth at the art fair. Anyway, it was a pleasant suprise to learn that there is an exhibit ongoing by Melanie Gritzka del Villar. It’s entitled Hanging By A Thread. And here are some of her works.
The artist has developed a unique technique of transferring printed images onto gel mediums.
Do stop by and visit Hanging By A Thread – An Art Exhibition of the Works of Melanie Gritzka del Villar
After the exhibit, we then proceeded to the hotel’s function room. Being shown at that time is Moonrise Kingdom, a coming-of-age film described as “eccentric, pubescent love story”. I was kind of hoping it was The Grand Budapest Hotel. But this one works just fine. I was more concerned about being able to get some rest and shelter from the heat, anyways. Looking back however, I realized we could’ve skipped some of the movies since we were the only ones watching at the time 😛